Public Service Announcement: There Is No “CalArts Style”.
Can’t believe I still have to say this!
Despite everything you might have heard, there is no “CalArts Style.”
It doesn’t exist.
CalArts isn’t an art-style or animation studio, it’s actually a university for art and animation founded by the Disney brothers. (Yes, THOSE Disney brothers)
I know there’s this image going around of these cartoon characters sharing the same head, eyes and smile…
but that’s deliberate, misleading exaggeration. In reality..
They’re actually very different from one another. Sure, they share a few faint similarities but overall each character and their respective series have their own style and identity.
Animation with those similarities? (Round eyes, mouthes and bendy limbs) There’re actual names for that style of animation: Rubber-Hose, Bean-Mouth, Noodle-Arm, Fleischerian. take your pick.
But to call all animation with those little similarities “CalArts”?
It’s stupid, lazy and dishonest.
CalArts didn’t create or popularize the Bean-Mouth. Like all art-styles, it became trendy following the major success of shows like Adventure Time, Steven Universe, ect.
And most importantly, there is no uniform style at CalArts.
In fact, here, let me show you the work of noticeable CalArts Alumni:
Just look at the diverse art-styles and animation, all from former CalArts students!
On a side-note:
- Rebbeca Sugar (Steven Universe) never went to CalArts.
- Ben Bocquelet (Gumball) never went to CalArts.
- Nate Stevenson (She-Ra) never went to CalArts either! (Something I find hilarious since She-Ra doesn’t look anything like the aforementioned Bean-Mouth cartoons but rather a bold, modernized version of Sailor Moon)
Another reason why people must stop using the term “CalArts”/“CalArts Style”? It was coined by none other than disgusting predator John K. Yes, John K, the co-creator of Ren & Stimpy who used his influence to prey on teenage girls. (TW: sexual exploitation, grooming, gaslighting.)
He coined the term “CalArts”/“CalArts Style” to bash works like The Iron Giant, Animaniacs, Gargoyles, Les Triplettes De Belleville (which is also ridiculous since Sylvain Chomet didn’t go to CalArts) along with the works of Disney, Warner Bros., Dreamworks, Richard Williams and Don Bluth.
In simple terms, he was a toxic piece of work who loved tearing anything that didn’t meet his standards of zany, off-model grotesqueness.
Here, a friend of mine on social media explains better than I can:
Thanks for listening. Hope I helped.
